GearFocus
Feb 28, 2025
Nikon Z-mount support has officially landed in RED Digital Cinema’s flagship cameras—a big leap forward for hybrid shooters and a nostalgic nod to Nikon’s legacy. After 17 years without Nikon in the mix, RED’s Z-mount compatibility isn’t just a clever update—it’s a signal to photographers and filmmakers alike that the line between stills and cinema continues to blur. Let’s explore why this matters, what gear is involved, and how it could shake up the used gear market.
The Nikon Z-mount is known for its large 55mm inner diameter and short 16mm flange distance. That wider opening allows more light to hit the sensor, and its compact flange opens the door for innovative lens designs. Compared to the older F-mount (44mm diameter and 46.5mm flange), the Nikon Z-mount is a forward-thinking foundation for mirrorless performance—especially when paired with RED’s powerhouse image sensors.
For filmmakers, this means sharper detail, improved low-light performance, and a more seamless experience when switching between photography and cinematography. And if you already shoot Nikon? Your Nikon Z-mount lenses will now work natively with RED bodies.
Komodo X: Nikon Z-mount in a Nimble Package
The Komodo X brings Nikon Z-mount support in a nimble, modular package that’s perfect for on-the-go productions. Here’s what you get:
Super 35 global shutter sensor (zero motion distortion)
6K at 80fps, 4K at 120fps for buttery slow-motion
Built-in IP control and wireless capabilities
Micro V-Lock battery compatibility
Light enough for gimbals, drones, and handheld rigs
Imagine pairing a Komodo X with the Nikon Z 50mm f/1.8 for a lightweight documentary rig that still delivers RED’s cinematic punch. Already own an older Komodo? A conversion kit brings it up to date.
V-Raptor X: Full Frame Power Meets Nikon Z-mount
For creators who demand full-frame performance, the V-Raptor X now supports the Z-mount with full locking capabilities for larger lenses. Specs include:
8K full-frame global shutter sensor
120fps at 8K and over 17 stops of dynamic range
Support for Nikon’s top-tier Z-mount glass
Advanced cooling for longer takes
Whether you’re shooting commercials, short films, or studio productions, this upgrade makes the Z-mount a serious contender in high-end cinema workflows.
Nikon Z-mount Adapters That Keep Up
RED has also introduced Z-to-PL adapters and electronic ND filters that offer 2–7 stops of control. With Cooke /i metadata support and solid construction, these accessories help bridge gaps between cine and photo gear.
This ecosystem allows hybrid shooters to fine-tune exposure in-camera and retain detailed lens data for post-production—features that were once limited to high-budget rigs.
What This Means for the Market
The shift to Nikon Z-mount is already stirring up movement in the used camera market. Expect older RED models (with EF or PL mounts) to become more affordable, and Nikon Z-mount lenses to grow in demand among both filmmakers and photographers.
If you’re shopping pre-owned, now is a great time to score RED gear at lower prices—or invest in Nikon glass that’ll pull double duty on both photo and video projects.
F-Mount vs. Z-Mount: The Numbers
Feature |
F-Mount (Old) |
Z-Mount (Now) |
Inner Diameter |
44mm |
55mm |
Flange Distance |
46.5mm |
16mm |
Contact Pins |
8 |
11 |
Max Aperture |
f/1.2 (roughly) |
f/0.95 (in theory) |
Autofocus |
Hit-or-miss |
Locked in |
Lens Metadata |
Barely there |
Loaded |
The Nikon Z-mount clearly wins in terms of flexibility, speed, and future potential—especially when paired with RED’s cutting-edge cameras.
Looking for Nikon Z-mount lenses or RED gear? Check out the latest listings on GearFocus, where you can find gently used bodies, glass, and conversion kits to keep your setup future-ready.
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