Nikon Z-mount Revolution: RED’s Bold 2025 Update for Filmmakers

Nikon Z-mount support has officially landed in RED Digital Cinema’s flagship cameras—a big leap forward for hybrid shooters and a nostalgic nod to Nikon’s legacy. After 17 years without Nikon in the mix, RED’s Z-mount compatibility isn’t just a clever update—it’s a signal to photographers and filmmakers alike that the line between stills and cinema continues to blur. Let’s explore why this matters, what gear is involved, and how it could shake up the used gear market.

Why Nikon Z-mount Matters to Filmmakers

The Nikon Z-mount is known for its large 55mm inner diameter and short 16mm flange distance. That wider opening allows more light to hit the sensor, and its compact flange opens the door for innovative lens designs. Compared to the older F-mount (44mm diameter and 46.5mm flange), the Nikon Z-mount is a forward-thinking foundation for mirrorless performance—especially when paired with RED’s powerhouse image sensors.

For filmmakers, this means sharper detail, improved low-light performance, and a more seamless experience when switching between photography and cinematography. And if you already shoot Nikon? Your Nikon Z-mount lenses will now work natively with RED bodies.

Komodo X: Nikon Z-mount in a Nimble Package

The Komodo X brings Nikon Z-mount support in a nimble, modular package that’s perfect for on-the-go productions. Here’s what you get:

• Super 35 global shutter sensor (zero motion distortion)

• 6K at 80fps, 4K at 120fps for buttery slow-motion

• Built-in IP control and wireless capabilities

• Micro V-Lock battery compatibility

• Light enough for gimbals, drones, and handheld rigs

Imagine pairing a Komodo X with the Nikon Z 50mm f/1.8 for a lightweight documentary rig that still delivers RED’s cinematic punch. Already own an older Komodo? A conversion kit brings it up to date.

V-Raptor X: Full Frame Power Meets Nikon Z-mount

For creators who demand full-frame performance, the V-Raptor X now supports the Z-mount with full locking capabilities for larger lenses. Specs include:

• 8K full-frame global shutter sensor

• 120fps at 8K and over 17 stops of dynamic range

• Support for Nikon’s top-tier Z-mount glass

• Advanced cooling for longer takes

Whether you’re shooting commercials, short films, or studio productions, this upgrade makes the Z-mount a serious contender in high-end cinema workflows.

Nikon Z-mount Adapters That Keep Up

RED has also introduced Z-to-PL adapters and electronic ND filters that offer 2–7 stops of control. With Cooke /i metadata support and solid construction, these accessories help bridge gaps between cine and photo gear.

This ecosystem allows hybrid shooters to fine-tune exposure in-camera and retain detailed lens data for post-production—features that were once limited to high-budget rigs.

What This Means for the Market

The shift to Nikon Z-mount is already stirring up movement in the used camera market. Expect older RED models (with EF or PL mounts) to become more affordable, and Nikon Z-mount lenses to grow in demand among both filmmakers and photographers.

If you’re shopping pre-owned, now is a great time to score RED gear at lower prices—or invest in Nikon glass that’ll pull double duty on both photo and video projects.

F-Mount vs. Z-Mount: The Numbers

The Nikon Z-mount clearly wins in terms of flexibility, speed, and future potential—especially when paired with RED’s cutting-edge cameras.

Looking for Nikon Z-mount lenses or RED gear? Check out the latest listings on GearFocus, where you can find gently used bodies, glass, and conversion kits to keep your setup future-ready.