The GEMINI 5K Super35 sensor features dual sensitivity modes, offering versatility in various shooting scenarios. Standard mode delivers optimal performance for conventional shooting conditions, while Low Light mode enhances sensitivity without increasing the noise floor typically associated with signal manipulation. This feature ensures exceptional image quality, even in challenging lighting environments, making it ideal for capturing dynamic scenes with confidence.

REDCODE RAW is RED's proprietary raw codec renowned for its exceptional image quality and flexibility in post-production. Utilizing wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW maintains visually lossless image rendering while significantly reducing data rates, minimizing storage requirements without sacrificing quality. This efficient codec can be seamlessly integrated into common NLE software programs such as Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer, facilitating a streamlined editing workflow for filmmakers.

The DSMC2 BRAIN features a modular design that allows users to tailor the camera to their specific production needs. Compatible with a wide range of accessories from RED and other manufacturers, the DSMC2 BRAIN offers unparalleled flexibility in configuration. Whether it's adding professional I/O connections, battery power modules, or lens mounts, the modular design enables users to customize the camera setup for optimal performance in any shooting situation. Additionally, the standardized DSMC2 form factor ensures compatibility with existing accessories, offering scalability and future-proofing for evolving workflows.

The RED DIGITAL CINEMA DSMC2 BRAIN is designed to accommodate a variety of production workflows, from high-budget cinematic productions to indie filmmaking projects. Its compact and lightweight form factor makes it ideal for gimbal and handheld setups, providing filmmakers with the flexibility to capture dynamic shots with ease. Additionally, its compatibility with Apple ProRes and Avid DNx formats allows for proxy recording alongside raw files, catering to faster turnaround times and post-production efficiency without compromising on image quality.

The DSMC2 BRAIN supports a wide range of color management options, including 3D LUTs and user-programmable shaper 1D LUTs. With support for 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs, filmmakers have the flexibility to achieve their desired color grades with precision. Additionally, the camera's tetrahedral interpolation and 16-bit processing ensure accurate color reproduction, maintaining image fidelity throughout the post-production process. These color management features empower filmmakers to realize their creative vision with confidence, resulting in stunning visuals that captivate audiences.